An evening at Café Basico. The stage is small, the closeness immense. The air crackles. And yet in these ten minutes something emerges that's bigger than the room we're standing in. Eros Tango Logos – for us that's not a title, but a question we ask ourselves anew with every dance: What

Before the first step happens, we listen. "Deborah" isn't a song you simply dance to. It carries a stillness within it that wants to be filled first – with attention, with breath, with the courage not to anticipate anything. You may know the film "Once Upon a Time in America", from which this composition by Ennio Morricone comes.

We included this wonderful title – discovered in Pina Bausch's Kontakthof – in the show for two reasons: First: the feeling of lightness and humor that invites simple playfulness of being in love. A wonderful component for dancing communication in tango. And second: the title itself already carries an important idea. You

How do we choose which music we want to dance to? It has to set something in motion within us that triggers a tango feeling. And that feeling has to become strong enough that we inwardly feel the desire to express ourselves in the language of tango. This tango language has three dialects: tango, vals, milonga. When we