Tango in Motion – Reflections & Thoughts

Our credo: first me, then the music, then you. The opening of our show at the Tangoloft Berlin Spring Festival, and how I train it.

Volver Volver by Buika — a tango in Tuscany, spring 2025. Why this voice makes us dance, and what happens when two people are fully with themselves and fully in the music.

For me, tango is body language — with vowels, consonants and, eventually, your own slang. Why the HOW draws me more than finished figures.

The closing dance of Eros Tango Logos 2025 — to a piece by Giorgio Conte that simply enchants.

A dance at the end of our week-long Tuscany trip in summer 2021 — and the question of how details become a whole.

Our demo after the Eros Tango Logos weekend in Kreuztal 2024, carried by a strong follower’s voice.

Watching this recording of our Eros Tango Logos show improvisation 2024 at Café Basico again after two years, a question comes to mind that I once asked myself: What makes a truly genuine tango for me? My answer: Sparkling Dirtyness! Dirtyness is the earth, the dirt, the life from which tango was born

An evening at Café Basico. The stage is small, the closeness great. The air crackles. And yet in these ten minutes something arises that is bigger than the room we stand in. Eros Tango Logos – for us that is not a title but a question we ask ourselves anew with every dance: What

Before the first step emerges, we listen. “Deborah” is not a song you simply dance to. It carries a silence within it that wants to be filled first – with attention, with breath, with the courage to anticipate nothing. Perhaps you know the film “Once Upon a Time in America”, from which this composition by Ennio Morricone comes.

We included this wonderful piece – discovered in Pina Bausch’s Kontakthof – in the show for two reasons: First: the feeling of lightness and humor that invites the simple games of being in love. A wonderful component for dancing communication in tango. And second: the piece itself carries an important idea. You